Fazil Razak makes a promising debut

Human beings are bound to have a breaking point, the limit till which they can take…

IFFK 2023: Ennennum uses a sci-fi setting to explore the changing shades of a relationship

A wish for immortality probably lies latent in the minds of many. It is a wish…

IFFK 2023: In Terrestrial Verses, ordinary Iranians navigate repression in daily lives

A scene from Terrestrial Verses. Underground political workers, subversive figures all have occupied the centre of…

IFFK 2023: Jonathan Glazer’s The Zone of Interest paints a chilling image of the banality of evil

A still from the The Zone of Interest. Holocaust films often come with their set of…

IFFK 2023: Pinochet dictatorship’s after-effects are still being felt in Chile, says Chilean filmmaker

Chilean filmmaker Felipe Carmona, director of Prison in the Andes | Photo Credit: S.R.Praveen For Chilean…

IFFK 2023: Some space to showcase camaraderie that defy racial and national lines

A still from Ken Loach’s ‘The Old Oak’ People’s solidarity across racial and national lines may…

IFFK 2023: It took a village to make Sthal

Filmmaker Jayant Digambar Somalkar  | Photo Credit: S.R.Praveen It literally took a village for Jayant Digambar…

IFFK 2023: Prasanth Vijay’s Daayam explores grief and the coming to terms with it

Grief does not always arrive as a torrent. Sometimes, it seeps in ever so slowly, evoked…

IFFK 2023: Anatomy of a Fall does not give any easy answers

A still from Anatomy of a Fall Can authors or filmmakers be judged for the thoughts…

Being recognised for taking the next right step is a genuine honour, says Kenyan filmmaker Wanuri Kahiu

Kenyan filmmaker Wanuri Kahiu | Photo Credit: S.R. Praveen Wanuri Kahiu does not have a personal…