Prabal Gurung sent his New York Fashion Week models down a long, edgy runway in the shadow of the United Nations on Saturday as an ode to the world’s misfits with an explosion of sheer and colors, who are “often referred to as the world’s misfits”. Watched and monitored, but ignored.”
The designer told the Associated Press that he discovered an industrial space in the former home of the Japanese consulate while on a bike ride on Manhattan’s East Side. She transformed it into a white runway that made her revealing metallics, bondage looks and neon brights pop.
“I wanted to create a space for this particular show where we realized what we felt in the culture itself: politically, culturally uncertain, but we still want to be optimistic, to be optimistic,” he said. Told. “I needed to be near the reminder of the United Nations that our work in fashion is not done until we are alert and vigilant.”
Over the past year, Gurung said, he found his hope and optimism fading as the “status quo, patriarchy” seemed more unruly on those opposed to “regressive values”.
To find some joy again, and to relate to, he wrote in his show notes, he ventured into the outer boroughs of New York City, where “style, confidence, nightlife and these younger generations exude a familiar but new spirit.” Who used to rule. The same fire that my mother gave me in my childhood.
So how did this translate into her latest spring collection on her clean white runway?
In a fiery red mini dress. In a jet black bodysuit paired with a crinkle chiffon, hand-draped skirt. In a barely minted blouse worn by Ella Emhoff, the stepdaughter of Vice President Kamala Harris, with a white corset jumpsuit and black leather lambskin mini skirt.
He called his misfits “my family, my tribe, my friends”, whose rights are often exploited. As a creative person, Gurung said, the pandemic has reaffirmed her need to tell stories rather than simply sending clothes down a runway.
Her story continued in a bright pink dress of hand-embroidered sequins and multicolored ostrich feathers, an acid wash denim corset blazer and a fuchsia and black mesh goddess gown. There was one tulle gown in soft pink and black, and another in soft blue and black. There were tap shorts and one-shoulder blouse in lilac.
Her sheer cobalt blue trousers were worn with a similarly sheer long-sleeved blouse at Chartreuse that opened to reveal a black bralette that went with the model as did many of her fluid looks. It was definitely a different direction for Gurung.
“Instead of just doing a regular show, I wanted to create an experience,” he told the AP. “Storytellers are healers.”
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